Ballet Fantastique


Arts

 

 

 

Donna


























Donna Marisa Bontrager

Artistic Director & Choreographer-Producer

Photos: Monovita, Woden Photo

Ballet Fantastique's Canadian-born Artistic Director, Donna Marisa Bontrager, is a choreographer and expert master teacher in the Russian Vaganova Syllabus. In New York, Ms. Bontrager worked closely for many years with Vaganova pedagogy experts Karl Singleterry and Marvin Askew (Buffalo City Ballet) and Bernadine deMike (Royale Dance Theatre New York). Ms. Bontrager's performance résumé embraces work with New York companies, including Empire State Ballet, Buffalo City Ballet, Royale Dance Theatre New York, and Festival Choir Ballet. She was one of ten dancers invited to perform as part of the international Feast of the Tabernacles in Jerusalem, Israel, and has been invited to join the World Congress on Dance.

For the Ballet Fantastique contemporary chamber company, Ms. Bontrager has overseen Ballet Fantastique repertoire and productions involving partnerships with choirs, opera, and soloist vocalists, symphony and chamber orchestras, literary and visual artists, and composers. Ms. Bontrager has overseen the choreography, production, and staging of the entire critically acclaimed all-original Ballet Fantastique repertoire, including: Ballet Fantastique collaborations with Betty and the Boy, Troupe Carnivale, and Mood Area 52 (Cirque de la Lune), the LA-based band Incendio (Incendio), Shelley and Cal James and the Agents of Unity Band (Cinderella: A Rock Opera Ballet), Oregon Mozart Players (Glazunov's Four Novelettes), Trio Voronezh (Tchaikovsky to Tango and Danse en Rouge: Variations in Red), violinist Matthew Fuller (String Theory), pianist John Jantzi (Visions d'Amour: 10 Ballets in Paris), Jessie Marquez and her band (Bossa/Brasil), and with Ballet Fantastique Resident Composer Jeremy DeKyle Schropp (Love at the Cafe Terrace, “Bulgarska Tantzova Suita,” and As You Like It: A Wild West Ballet)—to name just a few.

Under Ms. Bontrager's leadership, Ballet Fantastique has toured across the Northwest and made consecutive performance appearances at the Oregon Shakespeare Festival. Ms. Bontrager's love of the arts also extends to her design work as an alumna of the University of Oregon's School of Architecture and in the creation of Ballet Fantastique's critically-acclaimed costumes.

Out of her many years of teaching and performance experience and as Artistic Director of The Academy of Ballet Fantastique, Ms. Bontrager has developed the complete curriculum for The Academy of Ballet Fantastique, directly following the notated Vaganova Syllabus. She works closely with Academy of Ballet Fantastique Professional Division students in their training, choreography, and performance.

Hannah



























Hannah Bontrager

Executive Director & Choreographer-Producer

Photos: Woden Photo

Hannah has served as Ballet Fantastique’s Executive Director since its inception in 2000. Hannah graduated summa cum laude and phi beta kappa in 2007 from the Robert D. Clark Honors College of the University of Oregon where, as a full scholarship student, she earned concurrent degrees in Dance and English Literature and a minor in Community Arts through the graduate Arts Administration program. Hannah has led a number of successful and innovative educational initiatives for Ballet Fantastique, including the EXPERIENCE DANCE! Project, the Art Together Collaborative, Passport to Dance, and Project DanceREACH. Under Hannah’s leadership, Ballet Fantastique has earned touring invitations on behalf of Ballet Fantastique both nationally and internationally; grant awards from major foundations; and tens of thousands of dollars in cash and in-kind corporate and individual support. Hannah has given professional presentations on behalf of Ballet Fantastique for many organizations. She is listed among the international Who’s Who Among Executives and Professionals. Hannah also has extensive experience in print and web design, event planning, media relations, and oversees Ballet Fantastique’s thriving internship program.

Also a trained professional dancer, choreographer, and performer, Hannah studied the eight levels of the Vaganova Syllabus and Vaganova pedagogy with her mother, Donna Marisa Bontrager, while creating and performing works locally. In addition, she spent two summers at the Kirov Academy of Ballet in Washington, D.C. under Artistic Director Oleg Vinogradov (also Artistic Director of the Kirov Ballet in Russia), and was one of five students invited internationally to join renowned Kirov prima ballerina Mme. Alla Sizova’s advanced class. Hannah spent the 2002-2003 concert season in Denver, under St. Petersburg Vaganova Academy graduate Inessa Pakri-Plekhanova, while concurrently training and performing with the company’s apprentices. Hannah has performed professionally with the Ballet Fantastique chamber company since its inception, and has also appeared in soloist roles for a number of other companies across the country, including Manassas Ballet Theatre in the Washington, DC metro area (Sugar Plum Fairy, Nutcracker, and the lead in Vivandière/Markitenka). Donna and Hannah have collaborated to produce Ballet Fantastique collaborations with Betty and the Boy, Troupe Carnivale, and Mood Area 52 (Cirque de la Lune), the LA-based band Incendio (Incendio), Shelley and Cal James and the Agents of Unity Band (Cinderella: A Rock Opera Ballet), Oregon Mozart Players (Glazunov’s Four Novelettes), Trio Voronezh (Tchaikovsky to Tango and Danse en Rouge: Variations in Red), violinist Matthew Fuller (String Theory), pianist John Jantzi (Visions d’Amour: 10 Ballets in Paris), Jessie Marquez and her band (Bossa/Brasil), and with Ballet Fantastique Resident Composer Jeremy DeKyle Schropp (Love at the Cafe Terrace, “Bulgarska Tantzova Suita,” and As You Like It: A Wild West Ballet)—to name just a few. As a dancer with the Ballet Fantastique chamber company, Hannah has earned rave critical reviews in soloist and principal roles, including: Scheherazade in Arabian Nights; Rosie, the lead in As You Like It: A Wild West Ballet; the Dancing Diva and Motorcycle Girl in Cinderella: A Rock Opera Ballet; “Tango Para Abel,” “Viheula,” and “Illumination” (with the LA-based band Incendio); Marguerite, the siren in Love at the Cafe Terrace; Aviary in Carnival of the Animals; the Nymph from Rusalka in “Song to the Moon”; the Lover in “La Vie en Rose”; and Peter Rabbit in Tales of Beatrix Potter.

Gerry



























Gerry Rempel

Resident Composer // Music Director

Photos: Stephanie Urso

Mr. Rempel is a composer, the leader of Gerry Rempel Ensemble and Gerry Rempel Jazz Syndicate, a member of numerous jazz, soul, and blues groups in Eugene, and a music teacher at Northwest Christian University and Lane Community College. Also part of the award-winning University of Oregon Gospel Choir Band, Mr. Rempel accompanied the UO Gospel choir on their 2013 China tour.

As a resident composer, arranger, musician, and Music Director for Ballet Fantastique, Mr. Rempel composed and performed several pieces in Ballet Fantastique's String Theory (premiere 2010, Hult Center). Mr. Rempel\s nine-piece group, Gerry Rempel Jazz Syndicate, arranged and performed the music for the premiere of Ballet Fantastique’s roaring 20’s Parisian Pride and Prejudice (premiere 2013, Hult Center). As the University of Oregon Gospel Choir Band, Mr. Rempel also served as Music Director and played guitars for Ballet Fantastique\s premiere of The Book of Esther: A Rock Gospel Ballet (premiere 2014, Hult Center). Mr. Rempel then spearheaded the collaboration with internationally acclaimed Irish uilleann piper and composer Eliot Grasso for Ballet Fantastique\s premiere of Dragon & the Night Queen: Celtic Stories (premiere 2016, Florence Events Center + Hult Center); Mr. Rempel\s seven-part Ensemble for the Dragon production (Gerry Rempel Ensemble) included acoustic and electric guitars, bouzouki, uilleann pipes, flute, whistle, fiddle, keyboard, accordion, recorder, acoustic and electric percussion, acoustic and electric bass, and vocals sung in five languages. Music arrangements included varied combinations of material, both contemporary and ancient, that draw from Celtic and other “world” music, including an infiltration of rock elements.

Mr. Rempel has also composed a number of original works for Ballet Fantastique, including two works for String Theory (premiere 2011, Hult Center), Pride & Prejudice: A Parisian Jazz Ballet (premiere 2013, Hult Center), “The Fall of Vashti” and “Haman” forThe Book of Esther: A Rock Gospel Ballet (premiere 2014, Hult Center), and "Serena and the Dragon" for Dragon & the Night Queen: Celtic Stories (premiere 2016, Florence Events Center + Hult Center). For more information about Mr. Rempel\s upcoming musical projects and performances, please visit www.gerryrempel.com.